Grand James A. Beck home in Fairfield Iowa (Sold)

May 4, 2011

The most famous Victorian home in Fairfield, the James A. Beck house (Beck/Ball/Sloca/Woodruff home) is also renowned throughout the United States and the world for being a home designed by Victorian architect, George Barber. Mr. Barber published pattern books cataloging his exuberant house designs for his customers to pick from, and there are hundreds of his designs still in existence in the United States and around the world. In many small towns in America you will see one Victorian home that stands out from the rest because of the ornate gingerbread details, porches, balconies, and towers. That home, too, is probably a Barber-designed home as is Fairfield’s James A. Beck house.

Who is George Franklin Barber? (July 31, 1854 – February 17, 1915) Geo. Barber was an American architect best known for his residential designs, which he marketed worldwide through a series of mail-order catalogs. One of the most successful domestic architects of the late Victorian period in the United States,[4] Barber’s plans were used for houses in all 50 U.S. states, and in nations as far away as Japan and the Philippines.[4] Over four dozen Barber houses are individually listed on the National Register of Historic Places, and several dozen more are listed as part of historic districts.[5]

Barber began designing houses in his native DeKalb, Illinois, in the late 1880s, before permanently moving his base to Knoxville, Tennessee, in 1888. His first widely-circulated catalog, Cottage Souvenir No. 2, contained designs and floor plans for fifty-nine houses, mostly in the Queen Anne style, as well as Barber’s architectural philosphy and tips for homebuilders. Later catalogs contained more Colonial designs.[4] By the time his catalog business ended in 1908, Barber had sold upwards of 20,000 plans.[4]

Barber was the father of Charles I. Barber (1887–1962), who went on to become a successful architect in his own right, and designed a number of notable buildings in the Knoxville area during the first half of the 20th century.[4] Barber McMurry, an architectural firm cofounded by Charles Barber in 1915, still operates in Knoxville.[6]

George Barber’s Life
Barber was born in DeKalb, Illinois, in 1854, the son of Lyman and Cornelia Barrett Barber.[3] While still a young child, he moved to Marmaton, Kansas, where he lived on the farm of his sister, Olive, and her husband, William Barrett.[4] By the 1870s, he owned an adjacent farm, where he raised plants which he advertised as “ornamental nursery stock.”[4] During this period, he learned architecture through mail-order books, namely George Palliser’s American Cottage Homes and technical books published by A.J. Bicknell and Company.[3] In 1884, Barber patented a nail-holding attachment for hammers.[4]

Early life and career
By the mid 1880s, Barber was back in DeKalb, where he produced his first architectural designs working for his brother’s construction firm, Barber and Boardman, Contractors and Builders.[3] In 1887 or early 1888, Barber published The Cottage Souvenir, crudely produced on punched card stock and tied together with a piece of yarn, which contained 14 house plans (a revised edition published shortly afterward contained 18).[7][4] The earliest buildings constructed from Barber’s designs included the Charles E. Bradt House (1887) and the Congregational Church (1888), both in DeKalb.[4] The Bradt house was featured in the March 1888 issue of Carpentry and Building.[8]

Catalog business
In late 1888, Barber relocated to Knoxville, Tennessee, in hopes that the city’s mountainous climate would be better for his declining health.[4] He briefly partnered with Minnesota-born architect Martin Parmalee, but the partnership proved unsatisfactory.[4] In 1892, he established a firm with one of his clients, J.C. White, handling the firm’s business aspects.[4] Barber also became a partner in the Edgewood Land Improvement Company, which was developing a suburb east of Knoxville known as Park City (modern Parkridge).[4][9] He designed over a dozen houses for this suburb, including his own house, which still stands at 1635 Washington Avenue, and the W.O. Haworth and F.E. McArthur houses, which also still stand on Washington Avenue, and appeared in some of Barber’s catalogs.[10]

In 1890, Barber published The Cottage Souvenir No. 2, which contained 59 house plans, as well as plans for 2 barns, a chapel, a church, 2 storefronts, and several pavilions.[4] This catalog and its subsequent revisions led to an explosion in orders for Barber’s firm. Barber houses built during this period include the Jeremiah Nunan House in Jacksonville, Oregon,[11] the Donnelly House in Mount Dora, Florida,[4] and the J. Hawkins Hart House in Henderson, Kentucky,[12] all of which still stand and are listed on the National Register. He also remained active on a local level in Knoxville, with the Romanesque-inspired Isaac Ziegler House on 4th Avenue,[13] and a house built for Barber’s printer, S.B. Newman, which still stands in Old North Knoxville.[10]

Around 1895, Barber parted ways with White and formed a new firm with a new partner, Thomas Kluttz.[3] That year, Barber began publishing a magazine, American Homes, which advertised the firm’s latest house plans, offered tips on landscaping and interior design, and published a multi-part history of architecture by Louisville architect Charles Hite-Smith.[4] In 1896, the growing firm moved into the Barber-designed French and Roberts Building on Gay Street, with the firm’s thirty draftsmen and twenty secretaries occupying an entire floor.[4]

Later career
In the late 1890s and early 1900s, Barber designed a number of elaborate mansions for affluent businessmen, including the home of Carroll Lathrop Post (brother of C. W. Post) in Battle Creek, Michigan,[4] the home of tobacco magnate R. J. Reynolds in Winston-Salem, North Carolina,[3] the home of People’s Bank president N.E. Graham in East Brady, Pennsylvania,[4] and one of his grandest designs, the $40,000 “Mount Athos” for Barboursville, Virginia, tycoon Walter G. Newman.[14] This is the period when James A. Beck, a grocer and hotel keeper in Fairfield, choose a design from the George Barber catalog, ordered the plan and the lumber–pre-cut, numbered, and shipped by rail to be assembled on his corner lot on East Burlington Ave. and D Street in Fairfield.

In the early 1900s, Barber began to phase out his mail-order business and with the help of his brother, Manley, focused on Knoxville-area building projects.[3] The publication of American Homes was moved to New York in 1902, though Barber remained a regular contributor for several years afterward.[4] The catalog business was suspended in 1908.[4] Barber died on February 17, 1915, and is interred with his family in Knoxville’s Greenwood Cemetery.[1]

The bulk of Barber’s business followed the “catalog architecture” model popularized by earlier architects such as Palliser. Barber’s great innovation was his willingness to personalize his designs for individual clients at moderate cost.[4] As he wrote in his Cottage Souvenir No. 2, “Write to us concerning any changes wanted in plans, and keep writing till you get what you want. Don’t be afraid of writing too often. We are not easily offended.”[4] Though his firms’ records no longer survive, it is believed that he sold as many as 20,000 plans in his career.[4] Since he frequently modified his designs to fit his clients’ needs and specifications, his houses are sometimes difficult to attribute with any certainty.[15]

In discussing his architectural philosophy, Barber argued that Nature has “faithfully and accurately adhered to the Divine law of harmony,”[16] and that no place should adhere closer to the fundamental principles of nature than one’s house.[16] Barber considered proportion the most important element in architecture, likening it to harmony in music, “without which all else is a failure.”[16] He described ornamentation as the next most important element, as it gives proportion expression. Lastly was “harmony of form,” or the relationship of curved and straight lines to one another.[16]

Barber’s early designs were modified versions of the Queen Anne style, which Barber liked to enrich with the addition of Romanesque elements.[4] Barber houses constructed in this period are characterized by features such imposing turrets, projecting windows, verandas flanked by circular pavilions, or Syrian arches.[4] In the latter half of the 1890s, Barber began to offer more plans in the Colonial Revival style.[4] These were often characterized by projecting porticos supported by large columns, symmetrical facades, and flat decks with balustrades. Later Barber catalogs contained Bungalow and Craftsman styles, though few of these were built.[4]

Some have suggested that Barber was the first to sell prefabricated houses in crates, but there is no evidence that he was actually engaged in manufacturing.[4] While he occasionally suppled builders with manufactured windows, doors, staircases and other components, and that a number of millwork companies advertised in Barber’s magazine, it is unclear whether entire houses were sold as kits by anyone prior to 1900.[4] Click here for a partial list of homes designed by George Franklin Barber.

Barber houses today
A revived interest in Barber’s began in the 1970s,[4] and since then, hundreds of houses built using Barber’s plans have been identified. Over four dozen of these have been individually listed on the National Register of Historic Places for their architecture, including the Beck House in Fairfield Iowa and several dozen more have been listed as contributing properties in historic districts.[5] At least four Barber houses— the Isaac Ziegler House, the Jeremiah Nunan House, the John Owings House (Laurens, South Carolina), and Roselawn (Natchitoches, Louisiana)— have been documented by the Historic American Buildings Survey.[13][11][17][18]

Many extant Barber houses are still used as residences, while others house museums, bed and breakfasts, and office space. Barber houses have provided inspiration for Christmas cards, wall hangings, and at least one dollhouse model.[4] While most of Barber’s work was domestic, several notable non-domestic Barber-designed buildings survive. These include the Congregational Church (now DeKalb Foursquare Church) in DeKalb, Illinois,[4] the Raper Building in Lexington, North Carolina,[19] and Bartlett Hall at Maryville College.[20]


1. ) a b c d George Franklin Barber at Retrieved: 3 May 2011.
2. ) a b East Tennessee Historical Society, Lucile Deaderick (ed.), Heart of the Valley: A History of Knoxville, Tennessee (Knoxville, Tenn.: East Tennessee Historical Society, 1976), pp. 491-492.
3. ) a b c d e f g M. Ruth Little (2009). Barber, George F. (1854-1915), North Carolina Architects and Builders, A Biographical Dictionary. Website maintained by North Carolina State University Libraries. Accessed May 3, 2011.
4. ) a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag ah Michael Tomlan, Introduction to George F. Barber’s Victorian Cottage Architecture: An American Catalog of Designs, 1891 (Dover Publications, 2004), pp. v-xvi.
5. ) a b These figures obtained by searching for buildings and historic districts with Barber or one of his firms listed as architect at
6. ) BarberMcMurry – History. Retrieved: 3 May 2011.
7. ) Barber & McMurry Architects, Tennessee Encyclopedia of History and Culture, accessed July 18, 2010
8. ) Carpentry and Building, Vol. 10 (March 1888), p. 50. Downloaded from Google Books, 3 May 2011.
9. ) Ann Bennett, National Register of Historic Places Nomination Form for Park City Historic District, 22 June 1990.
10. ) a b Knox Heritage, George Barber Homes Trolley Tour Booklet, 2007. Retrieved: 1 May 2011.
11. ) a b Marion Ross and Christopher Owens, Historic American Buildings Survey for Jeremiah Nunan House, 1971. Retrieved: 1 May 2011.
12. ) Rachel Alexander, National Register of Historic Places Nomination Form for J. Hawkins Hart House, 1 October 2010. Retrieved: 1 May 2011.
13. ) a b Joseph Herndon, Historic American Buildings Survey for Isaac Ziegler House, 1974. Retrieved: 1 May 2011.
14. ) Jeff O’Dell, John Salmon, and Randolph Turner, National Register of Historic Places Nomination Form for Madison-Barbour Rural Historic District, December 1989, Section 7, pp. 33-34. Retrieved: 3 May 2011.
15. ) Ann Bennett, Historic and Architectural Resources in Knoxville and Knox County, Tennessee, May 1994, Sec. 7, p. 51. Retrieved: 2 May 2011.
16. ) a b c d George F. Barber, Victorian Cottage Architecture: An American Catalog of Designs (Dover Publications, 2004), pp. 3-7.
17. ) Nancy Pittenger and Tracy Power, Historic American Buildings Survey – John Calvin Owings House, 1988. Retrieved: 1 May 2011.
18. ) Cane River National Heritage Area Committee, Historic American Buildings Survey – Roselawn, c. 2004. Retrieved: 1 May 2011.
19. ) Uptown Lexington, Inc., Historic Uptown Lexington, North Carolina – A Heritage Tour. Retrieved: 2 May 2011.
20. ) Tennessee Civil War National Heritage Area, The National Heritage Area Program and Blount County, Tennessee: A Feasibility Study, p. 13. Retrieved: 2 May 2011.

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